Wednesday 30 August 2017

Theatre Review: Wink at The Mission Theatre, Bath

This review was first written for The Reviews Hub


There’s a nostalgia to the opening of TopButton Theatre’s debut production Wink as video images from a previous decade, of two young boys and their families enjoying birthday treats, flitter across the central projection screen.

It seems to hark back to an innocence lost in an online world today awash with social media, easy-access porn and ubiquitous cat memes. A world that those two boys John and Mark, now teacher and pupil in a smart private secondary school, unquestioningly incorporate into their everyday lives.

Phoebe Eclair-Powell’s funny and intelligent dissection of the perils of negotiating online and offline relationships teeters at the boundaries of credibility plot-wise but sharply draws together its disparate strands into an affecting resolution. Mark (Gabriel Howell), having recently lost his father, idolises his French teacher John (Matt Harwood) and searches him out on Facebook. There Mark finds he can reinvent his own online identity and make a connection through the unlocked profile of John’s long-term partner Claire that has consequences far beyond his initial intentions.

In this exploration of modern-day male identity, both Mark and John are misfits in the world they inhabit. Mark, burdened by unspoken grief, only has his place in the school thanks to a sports scholarship. John approaches his job with a cynicism that papers over the cracks of his own insecurities, while casually cheating on Claire – often using text exchanges with one lover to fuel his passion for the other, all the while doubting the feelings and fidelity of both.

Faye Elvin’s direction brings strength and purpose to the piece, particularly in the sections of fast-paced, choreographed physicality as the actions of these two young men’s trajectories collide. A padded office chair is pivotal: propelled around the stage, connecting home with school, exchanging ownership as John and Mark’s fractured stories overlap and foreshadow each other. There’s neat use of projected images to communicate online screens and absent characters and an effectively integrated sound design, all by Harry Jerome.

In the tumult of words, some clarity of dialogue is occasionally lost, especially in the opening sequences. Aside from this, both Howell and Harwood are totally convincing and engaging in their portrayals of young men confused by the complexities of life where so much is available at the touch of a button: searching for identity both online and off, envying the outside of other people’s lives while struggling with the inside of their own.

TopButton’s stated mission is to promote discussion around subject areas that are often neglected, such as men’s mental health, indeed in developing this project they have worked with the charities Mind and Dyslexia in Action. This layered and thought-provoking production of Wink proves they are off to a very promising start.

Reviewed on 25 July 2017 | Image: Contributed


Wednesday 2 August 2017

Book Review: The Other Twin by L V Hay

In a post-truth world, it becomes increasingly impossible to define a single reality. But there are occasions - like when your sister has fallen to her death from a bridge in mysterious circumstances, for example - when it is imperative to discover what really happened.


This is the premise of L V Hay's The Other Twin, as Poppy - troubled and estranged from her family for reasons that are initially unclear - finds out that her younger sibling India is dead. Returning to her home in Brighton for the first time in years, she comes face to face with parents who are unravelling and traces of her sister - in her online blog and digital communications - that are difficult to reconcile with the innocent girl Poppy once knew.

But this world of social media cloaks a tangled web of relationships as old as time itself - full of jealousy, manipulation and deceit. India had uncovered a scandal - so it seems - that she alludes to in online posts full of references to fairy tale characters such as the Frog King, the Wicked Witch and the Wolf.

The narrative is peppered with definitions of millenial slang, for example:
Bitch slap (noun. A blow with an open hand. Related words: strike, whack)
as well as text messaging and Facebook profiles. But in essence, while presenting multiple viewpoints, the contemporary setting disguises a good old fashioned whodunnit that peels back the layers of a suburban existence to reveal its dark, beating heart. Who is Jenny and why was India always so protective of her? Why did India make such an enemy of JoJo, previously her best friend? And can Poppy trust that her passionately resurrected relationship with former boyfriend Matthew - not to mention his evasive twin sister Ana - is all that it seems?

It's a sultry, sexy tale that tantalises as it witholds. There are implausible moments and false leads aplenty, but the enjoyment and anticipation never diminishes in this taut and fast-paced thriller.

The Other Twin was published on 1 August 2017 in paperback by Orenda Books. Many thanks to the publishers for my review copy.